Farrand Piano Serial Number Lookup
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When quoting a piano move, the instrument size is extremely important for accurately determining the number of movers and type of equipment needed. Because piano manufacturers differ in their descriptions, the best way to communicate your piano size is to provide a make and model number. Please note that the serial number will not provide the piano size, however, if your piano is going to be picked up or delivered at a business, it may be beneficial to provide your mover with the serial number as well.
Depending upon the brand, the model number can be in different places. The information and images below provide general information and brand specific areas. If you cannot find any serial or model numbers, your piano may have been refurbished and the number plate, if there was one, was not put back on or the number was covered.
So, what's it worth If you haven't figured it out by now, you need theservices of a profession technician who will charge about $60.00 to $80.00 anhour for his talents. Frankly, that's a lot less expensive than just two of themain reference books that any qualified technician has in his office and mostgood technicians have dozens of books. Have we got the time to do all theresearch for free Frankly, No! ...It's best if you hire a professionalrebuilder and have him perform a complete evaluation. If you have the Name ofthe Manufacturer, the Serial Number and the unit'sGeneral Condition, i.e., working or non-working player mechanism, appearance, etc.,then visit the Blue Book of Pianoswebsite and write to Bob Furst. He has collected quite a bit of informationabout numerous piano companies. The MMDArchives has a number of articles from various members about the prices paidby individuals in private sales and at various auctions. Do a Key Word Searchfor: Price,Auctionor Sell. Read this article by noted author Art Reblitz: Values of AutomaticPianos and Organs. Read this article by Craig Brougher of \"BrougherRestorations\" TheValue of a Pneumatic player Piano.
There are a number of hidden costs that might not be apparent when it comes to a free or cheap one-hundred-year-old upright or even a grand. The first is moving. Old, full-size upright pianos can weigh nearly 700 lbs. and are harder to move than a grand. Awkward in size and weight, these instruments require a qualified piano moving team to safely remove, transport, and set up the piano at its new home. Asking a couple of buddies to help you move it will not suffice, and likely will cause more damage to the piano and potential injury to those attempting to move it.
Although a number of companies such as Steinway & Sons and Mason & Hamlin put out some of their finest work during this period, a large number of piano builders flooded the market with hastily assembled or badly engineered upright/vertical instruments to meet the high market demand. Well over 300 piano makers were in simultaneous operation within the United States alone. Due to this, hundreds of thousands of mass-produced upright pianos were built, flooding the market. Even if full rebuilds were completed (costing north of $10,000.00) the result of restoring these old pianos would not be more than average. Churned out of factories in exceedingly high numbers, the average upright was never a concert-level piano, to begin with.
Did you know that there were over 1000 piano manufacturers in America during the turn of the 20th century Today there is only one of significance; Steinway & Sons. Most American piano factories were located on the eastern seaboard between Washington DC and Boston. There were many tens of thousands of pianos built between 1890 and 1940 and a number of those pianos still survive today in some form.
Large, wooden, Farrand & Votey, upright, reed organ. Large, rectangular, wooden, upright organ, with a light wood, possibly walnut and maple, casing. In the centre of the organ is a single set of piano keys, in black and white, notes FF to ffff, with 15 draw-stops, four reed sets, plus 13 notes sub-bass. On the front of the case, underneath the keys, is a panel of fillagree wood in a scroll pattern, with a dark red material set behind. Above the keys is another panel of filigree wood with a matching scroll pattern at each end, and a crosshatching patten in the centre. This panel is also lined behind in dark red material. Attached to the top of the organ is a decorative, carved, wooden panel, with a diamond shaped mirror in the centre. There is a shallow shelf at the top of the panel, with turned wooden columns on either side. At the base of the piano are two, wide, foot pedals. The organ is stamped with the serial number, '44806'.
The serial number on this reed organ dates its manufacture to c1896. This organ is likely to be the one purchased in 1898 for the Fremantle Prison Anglican Chapel, to replace the old Harmonium (1995.63) which was in need of repairs. Initially, a Crescent Organ was purchased from A. & E. Humphries in London, through their local agent Shotter & Co, in Perth (correspondence dated 10 August 1897 and 26 November 1901). This instrument, however, proved to be 'too weak in tone' and was replaced with 'the one we have at the moment' for a further 22 pounds 100s (see requisition dated 12 July 1898). The new replacement was this Farrand & Votey reed organ, which was used in the Anglican Chapel until the Prison's closure in 1991. (See repairer quote dated 29 January 1909 referring to a Farrand & Votey. See also SRO file AU WA S3054- cons968 1909/0320 Title: 'Organs in Churches. Fremantle Prison. Tuning and repairs to').
Apart from the brand, you can also identify your antique Pump Organ from its serial number. The best you can get out of such a clue is the age of the pump organ, and thus its possible pricing. How do you find it You can find the serial number of your pump organ on the back paneling or the framework. There should be at least 5 (up to six) numbers stamped or stenciled on the Organ.
Given that the number of pump organs with serial numbers was 521,000 from 1850 to 1910, each unit represents a position made from first to the 521,000th unit. You can trace the position of your pump organ if its serial falls within the set of manufactured units from specific periods from the late 1800s to 1950.
There is no definitive answer to this question as the value of a 40 year old upright piano can vary greatly depending on a number of factors, such as its condition, make and model, and where it is located. However, as a general guide, a used upright piano in good condition can be worth anywhere from a few hundred to a few thousand dollars.
Antique piano values can range from one to the next, depending on a number of factors such as model, period, and model year. A piano restoration and tuning can easily cost you more than $2,500. If you want to buy a musical instrument that can be used by a serious pianist, you can expect to pay quite a bit of money for a new one. The grand and upright sizes are two of the most common styles of antique pianos. The value of a piano that is older than a century will increase. Most pianos will be able to be dated using their serial numbers within a few years. The death sentence for an antique piano is not to be removed. When it comes to the quality or age of the piano, as well as the degree of restoration, piano restorations can sometimes have a price increase. It is possible that piano values will not be high, and that bringing them back to life will be prohibitively expensive.
Piano serial number 1855-980, 1901-41500, 1912-56000, 1923-70900, 1934-83600, 1858-2000, 43000, 1913-57500, 1924-72300, 1935-87200, 1860-4000, 1903-44500 1914700, 1925-73400 1936-90800 1865- The 1904-46000, 1915-1660, 1926-74500, 1937400, 1870-10000 were used. 1917-47200 1916-62500 1927-75500 1938-98000 1875-14000 1906-48300 1929 1917-60400 1928-76500 1939-101000 1880-19000 1907-49600 1918-64300-77100 1940-104000 1885-24000 1908-51000 1919-65200 1930-77900 1941-107400 Ivers Pond Numbers: 1900-24000 1922-71000 1935-78400 1950-84000 1905-37800 1923-72100 1936-78600 1955 86350 1910-48100 1924-73200 1940-79900 1960-91014 1915-57900 1925-74500 1946-80000 1962-94370 1920-18 1920-12700, 1930-217000, 1949-431000, 1969-100442, 1970-121900, 1976-140900, and 1982-145300 are the dates. Return to the top of Page Kingsbury, Chicago, made by the CABLE Company.
The brand name and serial number of the instrument can be found near the soundboard or strings of most pianos. The brand name and serial number of an upright piano are usually located inside the instrument, near the top of the strings.
The square grand piano was introduced in the 1760s, and its design helped to reduce the amount of space required. During World War II, a technique for modernizing old upright pianos was to remove panels and replace them with mirrors to give them a more modern appearance. Before you can begin to value a piano, you must first identify who made it and when it was made. A serial number can tell you whether or not a piano is worth anything. The piano, on the other hand, is frequently worth more than its price. Etsy is a great place to look for piano accessories such as stools and piano benches, as well as smaller pieces. If you want to be certain that your antique piano is genuine, visit 1stdibs.com.
The Woman's Club of Beaumont began in 1895, when Mrs. Hal W. (Sarah) Greer, who was not content to rear her children in a community devoid of all avenues of cultural pursuits, decided to do something about it. She invited four friends, Miss Hattie Farrand, Miss Mary Lamb, Mrs. T. A. Lamb, and Mrs. E. C. Wiess, to form a club with her. Each of these first five members invited one other friend to join, and then the ten members each invited one more friend, until the group numbered twenty, all that a home could comfortably host.According to a 1911 newspaper article, the original \"purpose of the organization was self-culture, mutual improvement, and pleasure.\"Greer, in a presentation to the club on its fortieth anniversary, said that the club was initially named the Reading Club, and it met once a week to read articles from several cultural magazines. The name was soon changed to the Woman's Reading Club of Beaumont.The club met with early and lasting success because of its willingness to affiliate with other organizations. The club joined the State Federation of Woman's Clubs in 1899, the General Federation of Woman's Clubs in 1901, and was chartered in 1905.The club became a department club in 1908. This meant that while the club would have general meetings which all the women attended, it also had a number of different departments in which women could study a range of topics, including art, music, and literature. At this time, several different women's cultural groups merged into the club, including the Shakespeare Club and the Matinee Music Club. The name of the club was changed from the Woman's Reading Club to the Woman's Club of Beaumont in 1927, reflecting its change to a department club.The Woman's Club was one of the first clubs in the state to own their own house. They earned the money for the building through activities such as editing the Christmas edition of the Beaumont Journal. They purchased two lots at the intersection of Liberty and Willow Streets, but later sold these lots and bought a single lot on Magnolia Avenue in December of 1908. The first meeting in the club house, located at 575 Magnolia Avenue, was held on April 23, 1909. The two-story house of semi-colonial style has a large parlor, entrance, kitchen, and meeting rooms. Several uses for the second floor were considered, including a ballroom and a studio, but it is currently used for storage.The clubhouse suffered considerable damage after Hurricane Rita in 2005 and Hurricane Ike in 2008, but was extensively renovated and reopened in 2010.The Woman's Club was determined to create a more beautiful city. They not only did beautification work such as planting shade trees on Hazel and Broadway Streets, but also lobbied the city council for improvements. Mrs. Joe Cunningham offered a resolution for keeping chickens off the streets and out of flower beds. The Woman's Club also supported city garbage removal.The Woman's Club early recognized the need for a public library in Beaumont. In 1901, the club offered the city a lot to build a library, with the expectation that the city was to pay the cost of the library and give the club a place to meet. The city declined their offer. Instead, the club opened a small library of its own. This library, which consisted primarily of reference works, was open on Saturdays to the public. Only members could check out books.As the club's founder noted in 1935, the club has been \"a progressive factor in the cultural and civic life of Beaumont.\" Its contributions to the culture of the community include not only their work for a public library, but also sponsoring piano recitals, concerts, and art exhibits. They have hosted a number of impressive speakers, including Cornelia Otis Skinner, Governor Price Daniel, and Congressman Jack Brooks, whose mother, Grace, was a member of the club.The club motto, \"Onward and Upward,\" is reflected in their work for the community good, including funding scholarships to Lamar University, taking part in anti-tuberculosis drives, and purchasing books for the Sour Lake Reading Center. During the 1915 hurricane, which devastated Port Arthur, the Woman's Club was headquarters for flood relief. The club also actively contributed to the war effort during World War I and II, aiding the Red Cross by rolling bandages and working in the Red Cross County Sewing Units.The departments of the Club have changed many times over the years. Present departments include the Chorus Department, Piano Ensemble Department, Craft Study Department, Gardening Department, Literature Department, Bible Study Department, Gourmet Hostess Department, and a Museum, Antique, and History Department. The Club holds two annual fundraisers: the Fall Food Fair, and the Style Show in March. 153554b96e
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