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The interface appears to have been dragged down a notch. Of course, when you see a new tool for the first time it can be hard to see how much the interface has changed. But after using this new interface for a while it becomes very clear.

Pages can be created with different sets of controls and tool icons; to create a new page, right-click on a currently selected page and choose New Page from the drop-down. In addition to Pages, there is also a New Track button. The button opens a New Track window and shows a drop-down menu with the existing Track, Group, Cue and New Tracks options.

Avid’s own scripting language, called VSC, allows for some very advanced scripting opportunities, as well as generating custom user interfaces for non-scripted tasks. Here are a few example ways you could use that scripting language include:

When you’re playing back an NLE project within AE, it’s very convenient to be able to see a graphical representation of your playback. But the lack of an audio waveform layer prevented you from being able to compare a previous recording that sounded okay versus a later one that sounded much better. (The waveforms were invisible until after you stopped playback, and even then they showed only smoothly marching numbers.)

To overcome these shortcomings, there’s a new 5.0 waveform layer that appears within Final Cut Pro X’s audio waveform window. The addition of waveform levels makes it possible to view two waveforms side-by-side by dividing each waveform into seven sections, and then by displaying a level for each of those sections.

Besides the internal changes, Pro Tools 11 is also significantly faster than Pro Tools HD. For example, cutting an eight-second clip from audio recorded at 96kHz/24-bit took less than 90 seconds before Pro Tools HD, and it took Pro Tools 11 less than 50 seconds. d2c66b5586