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Their next album, Let It Loose (1987), went multi-platinum, with three million copies sold in the US alone. It featured the hits: \"Anything for You\" (No. 1 Hot 100), \"1-2-3\" (No. 3 Hot 100), \"Betcha Say That\" (No. 36 Hot 100), \"Rhythm Is Gonna Get You\" (No. 5 Hot 100), and \"Can't Stay Away from You\" (No. 6 Hot 100). \"Can't Stay Away From You\", \"Anything for You\", and \"1-2-3\" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.[37] In 1988, after the worldwide chart success of single \"Anything for You\", the Let It Loose album was repackaged as Anything for You.[38]
In January 1991, Estefan released the concept album Into the Light. That same month, she performed \"Coming Out of the Dark\" for the first time at the American Music Awards to a standing ovation, the performance coming ten months after the accident.[41][42] \"Coming Out of the Dark\" reached No. 1 on the U.S. Billboard Hot 100.[43] Other notable singles from Into the Light were \"Seal Our Fate\" and \"Live for Loving You\". The album peaked at No. 5 on the Billboard albums chart and at No. 2 on the British albums chart. The album eventually went double platinum in the US and platinum in the UK.[44]
In September 1993, Estefan released her first Christmas album, Christmas Through Your Eyes. It was also notable as being the first album from Estefan that was not produced by her husband. The album included the singles \"This Christmas\" and \"Silent Night\", and went Platinum in the US.[49]
A century ago, Maria Grever was a maverick in the male-dominated film world. She had studied with French composer Claude Debussy before returning to her native Mexico where she wrote boleros that were wildly popular throughout Latin America. Then, Grever composed songs for movies in the 1920s, '30s and '40s.
In the 1930s and '40s, renowned Mexican composer and musician Agustín Lara also wrote beautiful songs for movies. His Solamente Una Vez became a hit in the U.S. as You Belong to My Heart. It was covered by Bing Crosby, Elvis Presley and many others.
Of course, no story about Latino film composers would be complete without Nuyorican Lin-Manuel Miranda. Like his Broadway musicals, his movies, including In The Heights, incorporate Hip Hop, Latin and musical theater styles.
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In the 1930s and '40s, renowned Mexican composer and musician Agustín Lara also wrote beautiful songs for movies. His Solamente Una Vez became a hit in the U.S. as You Belong to My Heart. It was covered by Bing Crosby, Elvis Presley and many others.
Of course, no story about Latino film composers would be complete without Nuyorican Lin-Manuel Miranda. Like his Broadway musicals, his movies, including In The Heights, incorporate Hip Hop, Latin and musical theater styles.
This chapter seeks to shed light on the factors behind those numbers. It will provide you with basic tools developed by the academic area of film studies to make sense of multiple dimensions of the movies, including audiovisual style, the economics and technology of the industry, and cinema as a social experience.
Description: In 1942, Johann, a lonely German, travels through the Northeast of Brazil in his truck selling aspirins in small villages, using advertisement movies to promote the medicine. He meets and befriends a drifter but later must make a life changing decision between homeland and friends.
Description: A collection of video shorts that examine the history of Mexican cinema. This volume examines recent movies that have addressed issues concerning power, analyzing particularly the movie Morir en el Golfo (1989). Copies: 1 (DVD) Length: 60 minutes
Description: Dircted by Edin Velez, Produced and written by Chon Noriega. A documentary about the work, cultural expressions, and recent exhibits of 8 latino artists, this film also provides a means to think U.S. latino identity and history. Copies: 1 (DVD) Length: 28 minutes
Description: The sequel to Los Sueños de Angelica picks up 10 years later with the lives of a latino couple living in Durham. The recession has left Roberto without a job for some time, and he and his wife Angelica decide to start a cleaning business. After initial failures he finds himself on his way to starting a business that weds traditional knowledge with notions of sustainability and green practices.In order to get the venture going, Roberto and Angelica take classes on how to start a business at the Latino Cooperative Credit Union. In addition to relating an entertaining story with endearing characters, this film provides instructional information the steps necessary to start a new business and traces the shifting nature of the lives of latinos in the United States after they have established roots and become long-standing members of their local communities. Copies: 1 (DVD) Length: 102 minutes
Description: This hilarious animated spoof of horror and gangster movies, presented in an outrageously caricatured style reminiscent of Fritz the Cat, features Professor Von Dracula, a vampire scientist who leaves Transylvania for Cuba, where he invents \"Vampisol,\" a potion that allows vampires to survive in sunlight. The action escalates crazily with bad guys, police, vampires and other monsters all caught up in a crazy chase.
Contrary to those who predicted Bunuel's failure in Mexico, (1) Alvarez Bravo envisioned Bunuel performing an essential function, \"[t]he task of shaking up our values, stimulating our consciences and of delivering his vision of the Americas and of Mexico.\" UNESCO's recent addition of Los olvidados to its World Heritage List endorses the words of the Alvarez Bravo, whose creative conception of Mexico is closer to the \"down to earth images\" of Bunuel's films Los olvidados, Subida al cielo, El rio y la muerte and, especially Nazarin, than to the aestheticizing vision of his former collaborator, Eisenstein. This creative conception also closely resembles the films of the \"classic\" Mexican cinema of El Indio Fernandez-Figueroa. The latter, working with Bunuel, has left us a cinematographic portrayal of Mexico allied with the vision of Alvarez Bravo and Juan Rulfo. 59ce067264