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The Social Network is a 2010 American biographical drama film directed by David Fincher and written by Aaron Sorkin, based on the 2009 book The Accidental Billionaires by Ben Mezrich. It portrays the founding of social networking website Facebook. It stars Jesse Eisenberg as the Facebook founder Mark Zuckerberg, with Andrew Garfield as Eduardo Saverin, Justin Timberlake as Sean Parker, Armie Hammer as Cameron and Tyler Winklevoss, and Max Minghella as Divya Narendra. Neither Zuckerberg nor any other Facebook staff were involved with the project, although Saverin was a consultant for Mezrich's book.[4]
On October 28, 2003, 19-year-old Harvard University sophomore Mark Zuckerberg is dumped by his girlfriend, Erica Albright. Returning to his dorm, Zuckerberg writes an insulting post about Albright on his LiveJournal blog. He creates a campus website called Facemash by hacking into college databases to steal photos of female students, then allowing site visitors to rate their attractiveness. After traffic to the site crashes parts of Harvard's computer network, Zuckerberg is given six months of academic probation. However, Facemash's popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra. The trio invites Zuckerberg to work on Harvard Connection, a social network exclusive to Harvard students and aimed at dating. Zuckerberg approaches his friend Eduardo Saverin with an idea for the Facebook, a social networking website that would be exclusive to Ivy League students. Saverin provides $1,000 in seed funding, allowing Zuckerberg to build the website, which quickly becomes popular. When they learn of the Facebook, the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while misleading them by stalling development on the Harvard Connection website. They raise their complaint with Harvard President Larry Summers, who is dismissive and sees no value in disciplinary action on the Facebook or Zuckerberg.
Roger Ebert of the Chicago Sun-Times, giving it four stars and naming it the best film of the year, wrote: "David Fincher's film has the rare quality of being not only as smart as its brilliant hero, but in the same way. It is cocksure, impatient, cold, exciting and instinctively perceptive."[66] Peter Travers of Rolling Stone gave the film his first full four-star rating of the year and said: "The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade."[67] The Harvard Crimson review called it "flawless" and gave it five stars.[68]
Joe Morgenstern in The Wall Street Journal praised the film as exhilarating but noted: "The biographical part takes liberties with its subject. Aaron Sorkin based his screenplay on [...] The Accidental Billionaires, so everything that's seen isn't necessarily to be believed."[69]Among the film's very few negative reviewers was Nathan Heller of Slate, who described it as "rote and deeply mediocre" as well as "maddeningly generic", and believed that, "Sorkin and Fincher's 2003 Harvard is a citadel of old money, regatta blazers, and (if I am not misreading the implication here) a Jewish underclass striving beneath the heel of a WASP-centric, socially draconian culture... to get the university this wrong in this movie is no small matter."[70]
Journalist Jeff Jarvis acknowledged the film was "well-crafted" but called it "the anti-social movie", objecting to Sorkin's decision to change various events and characters for dramatic effect, and dismissing it as "the story that those who resist the change society is undergoing want to see".[93] Technology broadcaster Leo Laporte concurred, calling the film "anti-geek and misogynistic".[94] Sorkin responded to these allegations by saying, "I was writing about a very angry and deeply misogynistic group of people".[95]
Since its release, The Social Network has been cited as inspiring involvement in start-ups and social media.[102] Bob Lefsetz has stated that: "watching this movie makes you want to run from the theatre, grab your laptop and build your own empire,"[103] noting that The Social Network has helped fuel an emerging perception that "techies have become the new rock stars."[104] This has led Dave Knox to comment that: "fifteen years from now we might just look back and realize this movie inspired our next great generation of entrepreneurs."[103] After seeing the movie, Zuckerberg was quoted as saying he is "interested to see what effect The Social Network has on entrepreneurship", noting that he gets "lots of messages from people who claim that they have been very much inspired... to start their own company."[105] Saverin echoed these sentiments, stating that the film may inspire "countless others to create and take that leap to start a new business."[106] In one such instance, the co-founders of Wall Street Magnate confirmed that they were inspired to create the fantasy trading community after watching The Social Network.[107]
Following the close of the decade, The Social Network was recognized as one of the best films of the 2010s. Metacritic reported that it was listed on over 30 film critics' top-ten lists for the 2010s, including eight first-place rankings and four second-place rankings. Metacritic ranked The Social Network third overall, following Mad Max: Fury Road and Moonlight.[110] Esquire named The Social Network the best of the 2010s, calling it Citizen Kane "for the Internet age" and dubbing it "the movie of our new millennium".[111] With Facebook going "from a utopian, world-shrinking force of good to a potential threat to democracy", Esquire wrote, "Fincher seemed to sense all of this and more long before anyone else. And his brilliant, troubling film bristles with that queasy sense of prophecy and prescience."[111] Polygon, calling The Social Network the best film of the decade, wrote, "The Social Network, by chance or by design, has become one of the most immensely relevant movies of this decade... But after nearly a decade of watching Facebook 'move fast and break things,' including news websites, social video, politics, etc., the movie's tangible sense of tension can easily be reinterpreted as foreboding for what comes after you make a billion friends."[112] Director Quentin Tarantino called the film the best of the 2010s, singling out the script by Aaron Sorkin, whom he described as "the greatest active dialogist".[113]
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Social Network Strategy (SNS) is an evidence-supported approach to engage and motivate a person to accept HIV testing. This approach is based on the underlying principle that persons within the same social network who know, trust, and can exert influence on each other share similar HIV risk behaviors. SNS is particularly useful to recruit marginalized and/or hidden persons at risk for HIV.
Recruiters identify Network Associates (NAs) who are people in their social networks (e.g., friends, sex or drug-using partners, family members, etc.) who may be at risk for HIV. The Recruiters talk with the NAs they identify and encourage, refer, and/or accompany them to HIV testing.
This article presents a model and practical tool for monitoring how social ties and social structure are changing within the group during program implementation. The approach is based on social network analysis and has two phases: collecting network measurements at strategic intervention points to determine if group dynamics are evolving in ways anticipated by the intervention, and providing the results back to the group leader to guide implementation next steps. This process aims to initially increase network connectivity and ultimately accelerate the diffusion of desirable behaviors through the new network. This article presents the Social Network Diagnostic Tool and, as proof of concept, pilot data collected during the formative phase of a childhood obesity intervention.
The purpose of this article is to present a model and new diagnostic tool for group interventions that assesses group interactivity and empirically directs changes during program implementation to increase group cohesion, which should theoretically, accelerate behavior change. The approach is based on social network analysis (SNA) and entails making network measurements of the groups at strategic points of the intervention to determine if group dynamics are evolving in ways specified or anticipated by the intervention. The network diagnostic tool generates measurements that are converted to a set of individual and group metrics that indicate how social ties and social structure are changing within the group and can be used to guide program activities. This article presents the Social Network Diagnostic Tool and, as proof of concept, pilot data collected during the formative phase of a childhood obesity intervention.
While many obesity interventions occur in a group setting, underlying group structure and group processes are not documented in the scientific literature. Our own research demonstrated that group intervention sessions increased group connectivity. In a recently published study, we found that a new social network evolved among families participating in another pediatric obesity group-based prevention trial[2]. Moreover, these new social ties formed in a predictable manner: mothers selectively formed new friendships with other mothers based on child body mass index[2]. This reveals the tendency for mothers to form new friendships with mothers whose children have similar body types. We know that both the formation of new friendships, and the selective formation of friendships have the potential to facilitate or hinder behavior change[3]; but unfortunately the small, two-wave dataset did not allow us to test for diffusion of behavior through the network. 2b1af7f3a8